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Buku Fashion
  • guide to producing a fashion show

    Guide to Producing a Fashion Show

    This text is for anyone interested in producing a fashion show, be it an informal event or a large, complex affair. Examining every behind-the-scenes step from concept to execution, this book enables the reader to organize and stage a show that is profitable, well attended, and aesthetically pleasing.

    Judith C. Everett is a Professor of Communication at Northern Arizona University where she teaches a wide range of merchandising courses; including merchandise buying, fashion show production, historic dress, and professional practices. Her research interests include retail promotion and visual merchandising. She is an active member of the American Collegiate Retailing Association and The Fashion Group International.

    Kristen K. Swanson is an associate professor of merchandising at Northern Arizona University. Her research interests include retail promotion and tourism retailing. She has had work published in the Journal of Travel Research, Tourism Management, Journal of Vacation Marketing, Collegiate Retailing Association Proceedings, and Clothing and Textiles Research Journal. She is a member of the American Collegiate Retailing Association, International Textile and Apparel Association, and the Travel & Tourism Research Association.

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natural fashion: tribal decoration from africa

Natural Fashion: Tribal Decoration from Africa

The scene of tribal conflicts and guerrilla incursions, Ethiopia's Omo Valley is also home to fascinating rites and traditions that have survived for thousands of years. The nomadic people who inhabit the valley share a gift for body painting and elaborate adornments borrowed from nature, and Hans Silvester has captured the results in a series of photographs made over the course of numerous trips.

In this stunning collection of photographs, Silvester (Ethiopia: Peoples of the Omo Valley) celebrates the unique art of the Surma and Mursi tribes of the Omo Valley, on the borders of Ethiopia, Kenya and Sudan. These nomadic people have no architecture or crafts with which to express their innate artistic sense. Instead, they use their bodies as canvases, painting their skin with pigments made from powdered volcanic rock and adorning themselves with materials obtained from the world around them-such as flowers, leaves, grasses, shells and animal horns.

The adolescents of the tribes are especially adept at this art, and Silvester's superb photographs show many youths who, imbued with an exquisite sense of color and form, have painted their beautiful bodies with colorful dots, stripes and circles, and encased themselves in elaborate arrangements of vegetation and found objects. This art is endlessly inventive, magical and, above all, fun.

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