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  • chanel: collections and creations

    Chanel: Collections and Creations

    A lush visual selection from the Chanel archive-essential reading for fashionistas and design aficionados everywhere.

    Chanel's combination of tradition, originality, and style has always made it the most seductive of fashion labels. Here the House of Chanel opens its private archives, revealing a galaxy of brilliant designs created by Coco Chanel from 1920 onwards. Dazzling clothes, intricate accessories, beautiful models, and timeless design leave no doubt as to the lasting fame of her name and embody everything that has come to symbolize the magic of Chanel.

    The book explores five central themes-the suit, the camellia, jewelry, makeup and perfume, the little black dress-and follows the threads from past to present to show how these key items have been rediscovered and reinvented by new designers. It includes many previously unpublished archive photographs and original drawings by Karl Lagerfeld, as well as glorious images from some of the greatest names in fashion photography. 139 illustrations, 83 in color.

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natural fashion: tribal decoration from africa

Natural Fashion: Tribal Decoration from Africa

The scene of tribal conflicts and guerrilla incursions, Ethiopia's Omo Valley is also home to fascinating rites and traditions that have survived for thousands of years. The nomadic people who inhabit the valley share a gift for body painting and elaborate adornments borrowed from nature, and Hans Silvester has captured the results in a series of photographs made over the course of numerous trips.

In this stunning collection of photographs, Silvester (Ethiopia: Peoples of the Omo Valley) celebrates the unique art of the Surma and Mursi tribes of the Omo Valley, on the borders of Ethiopia, Kenya and Sudan. These nomadic people have no architecture or crafts with which to express their innate artistic sense. Instead, they use their bodies as canvases, painting their skin with pigments made from powdered volcanic rock and adorning themselves with materials obtained from the world around them-such as flowers, leaves, grasses, shells and animal horns.

The adolescents of the tribes are especially adept at this art, and Silvester's superb photographs show many youths who, imbued with an exquisite sense of color and form, have painted their beautiful bodies with colorful dots, stripes and circles, and encased themselves in elaborate arrangements of vegetation and found objects. This art is endlessly inventive, magical and, above all, fun.

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