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  • in vogue: the illustrated history of the world's most famous fashion magazine

    In Vogue: The Illustrated History of the World's Most Famous Fashion Magazine

    From the illustrated covers of Vogue's founding in 1892 to the advent of color photography in the 1930s and today's postmodern world, this thick volume is as elegant and engrossing as the magazine. An essay by Susan Sontag on the social implications of fashion photography enhances profiles of Irving Penn, Helmut Newton, Annie Leibowitz and other image-makers, along with the models, athletes and powerful women who have graced the magazine's pages. Behind-the- scenes anecdotes and proofs that did-and didn't- make the cut offer an intimate look at how the magazine assembles its public face.

    "...is indispensable reading. As substantive as it is sumptuous, the incisively written, meticulously researched and gorgeously illustrated.... -- New York Times Book Review, Dec. 2006

    "...it's hard to believe that after 115 years, a comprehensive book about Vogue hasn't been published, but authors Alberto Oliva and Norberto Angeletti are about to change that." -- Women's Wear Daily Aug. 2007

    "...this thick volume is as elegant and engrossing as the magazine." -- Publisher's Weekly, November 27, 2006

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natural fashion: tribal decoration from africa

Natural Fashion: Tribal Decoration from Africa

The scene of tribal conflicts and guerrilla incursions, Ethiopia's Omo Valley is also home to fascinating rites and traditions that have survived for thousands of years. The nomadic people who inhabit the valley share a gift for body painting and elaborate adornments borrowed from nature, and Hans Silvester has captured the results in a series of photographs made over the course of numerous trips.

In this stunning collection of photographs, Silvester (Ethiopia: Peoples of the Omo Valley) celebrates the unique art of the Surma and Mursi tribes of the Omo Valley, on the borders of Ethiopia, Kenya and Sudan. These nomadic people have no architecture or crafts with which to express their innate artistic sense. Instead, they use their bodies as canvases, painting their skin with pigments made from powdered volcanic rock and adorning themselves with materials obtained from the world around them-such as flowers, leaves, grasses, shells and animal horns.

The adolescents of the tribes are especially adept at this art, and Silvester's superb photographs show many youths who, imbued with an exquisite sense of color and form, have painted their beautiful bodies with colorful dots, stripes and circles, and encased themselves in elaborate arrangements of vegetation and found objects. This art is endlessly inventive, magical and, above all, fun.

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