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Buku Fashion
  • costume and fashion: a concise history (world of art)

    Costume and Fashion: A Concise History (World of Art)

    From the momentous invention of the needle some 40,000 years ago to the development of blue denim; from Neolithic weavers to the biggest names in the fashion industry today-this classic guide covers the landmarks of costume history, the forms and materials used through the ages, as well as the underlying motives of fashion and the ways in which clothes have been used to protect, to express identity, and to attract or to influence others.

    The concluding chapter by Amy de la Haye, covering the second half of the twentieth century, has now been updated by Andrew Tucker. He discusses the reinvention in the 1990s of the luxury label Gucci, the rise of houses such as Prada and Tommy Hilfiger, and the appointments of relatively avant-garde British, American, and European designers to head classic French houses. All the late-twentieth-century and turn-of-the-century style innovations are included, such as the appropriation of utility clothing by designers like Helmut Lang-who spearheaded the predominantly unisex urban sportswear look-and the impact of workplace dressing down on masculine fashion. The phenomenon of the must-have accessory-the pashmina shawl and the Fendi baguette, for example-is also considered.

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a guide to fashion sewing

A Guide to Fashion Sewing

This new edition of the highly successful classic on fashion sewing retains the large helpful illustrations and easy-to-read text of previous editions. The text is organized in a step-by-step, start-to-finish style coupled by thousands of enhanced visuals. Amaden-Crawford helps the reader create fashionable and professional looking garments for women, men and children.

The author outlines an 18-step theory, for sewing any garment, that is intended to eliminate the need to consult direction sheets. The theory may work for the majority of garments, but many pattern direction sheets offer helpful hints for assembling the pieces peculiar to the specific garment. A better suggestion would be to use the author's method with the direction sheets. Nor is the theory flawless; for example, some of the instructions for putting in sleeves are inconsistent.

Also, the book is incomplete in some areas; for example, there are no directions for putting in an invisible zipper. Nevertheless, the book has many good points; the large detailed illustrations are easy to follow and are accompanied by clear instructions. This would be a useful text for a beginning sewing class, and the experienced would find it a useful reference tool. Large public libraries may wish to buy, but smaller public libraries can skip. -- Ruth H. Dukelow, Library of Michigan, Lansing

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