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  • dior

    Dior

    On the occasion of its sixtieth anniversary, the House of Dior presents a monumental recounting of its history, imparted through its exceptional legacy: one hundred and fifty of its most beautiful dresses. This magnificent, four-hundred-page book, unveils its most beautiful Haute Couture dresses captured with original photography and unique, insightful texts which annotating Christian Dior and its couturiers from Yves Saint Laurent, Marc Bohan, and Gianfranco Ferro to John Galliano. press reviews, photographs of celebrity models from Suzy Parker to Kate Moss, each immortalized in Dior by the fashion photographers of the time, from Irving Penn to Nick Knight.

    This definitive anthology of one of the world s foremost couture houses captures the feel of each era, the grand ambiance, creativity and an assortment of presentations, fashion shows, ateliers and clients from every period: it s all here. An added bonus: a list of the house s one hundred and twenty Haute Couture collections, including their launch dates, themes, and designers which are listed in the appendix.

    With 400 pages and 300 illustrations, it's just the thing for a best-dressed bedside table. -- Capital File

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natural fashion: tribal decoration from africa

Natural Fashion: Tribal Decoration from Africa

The scene of tribal conflicts and guerrilla incursions, Ethiopia's Omo Valley is also home to fascinating rites and traditions that have survived for thousands of years. The nomadic people who inhabit the valley share a gift for body painting and elaborate adornments borrowed from nature, and Hans Silvester has captured the results in a series of photographs made over the course of numerous trips.

In this stunning collection of photographs, Silvester (Ethiopia: Peoples of the Omo Valley) celebrates the unique art of the Surma and Mursi tribes of the Omo Valley, on the borders of Ethiopia, Kenya and Sudan. These nomadic people have no architecture or crafts with which to express their innate artistic sense. Instead, they use their bodies as canvases, painting their skin with pigments made from powdered volcanic rock and adorning themselves with materials obtained from the world around them-such as flowers, leaves, grasses, shells and animal horns.

The adolescents of the tribes are especially adept at this art, and Silvester's superb photographs show many youths who, imbued with an exquisite sense of color and form, have painted their beautiful bodies with colorful dots, stripes and circles, and encased themselves in elaborate arrangements of vegetation and found objects. This art is endlessly inventive, magical and, above all, fun.

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